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Blind Willies is Alexei Wajchman, guitarist/singer/songwriter, and Annie Staninec, multi-genre fiddler. They met and began playing together in the halls of San Francisco School of the Arts. They're both recent graduates of University of California at Santa Cruz.
Annie has been playing bluegrass/old time fiddle for more than a decade. She's also a consummate gypsy jazz violinist. In 2006 she toured with David Grisman and the Gypsy Caravan. The highlight of those performances was a full orchestra playing David Grisman’s “Gypsy Medley” from his soundtrack recording for the film, King of the Gypsies. As the featured fiddler, Annie electrified audiences in solos that honored the late Stéphane Grappelli who originally recorded the piece with David. She has also played with Darol Anger, Mike Marshall, Stephane Wrembel, and Crooked Still. Annie was Djangofest Northwest's 2006 recipient of the Dudley Hill Award for exceptional young artist. In 2008 she was named Fiddler of the Year at the inaugural Northern California Bluegrass Awards.
Alexei grew up in San Francisco's Mission District. After learning to play clarinet and sax, he taught himself to play guitar and began writing songs at 15. He was awarded the Blue Bear Celebrity Scholarship to study guitar and voice in 2002 and 2003, and he was a 2003 California Arts Scholar in sax. His early influences included Nirvana, Bob Dylan, Woody Guthrie, Velvet Underground, Robert Johnson, Leadbelly, Hank Williams, Jimi Hendrix, The Doors. His music is a soulful mix of folk, country, rock, and blues, and his lyrics are an intimate exploration of America's psycho/social landscapes. Writing in the popular online zine Delusions of Adequacy, editor Jennifer Patton wrote "Blind Willies play incredibly wonderful music. Alexei is a remarkable songwriter."
Blind Willies made their professional debut at San Francisco's Hardly Strictly Bluegrass Festival in 2004. They've also played Falcon Ridge Folk Festival's Emerging Artist showcase, Berkeley's Freight and Salvage, SF's Great American Music Hall, Yerba Buena Center for the Arts Zeum, and the SF Folk Festival. In 2007 they performed with Peter Stampfel(Holy Modal Rounders, The Bottle Caps) in New York, and opened for Penelope Houston(Avengers) in San Francisco.
Their albums were recorded and mixed by Lemon DeGeorge(Jolie Holland, Sundance Audience Award documentary Genghis Blues) at Crib Nebula in San Francisco, and mixed and mastered by Paul Carlsen(Nirvana's Nevermind, Neil Young, John Prine) at Paul Carlsen Productions in Guerneville on the Russian River.
Radio play includes Better Days Radio, Vancouver, BC; Pirate Cat Radio, SF; KPIG, KRSH, WXPN, WFUV, KPFA, WFDU, KALW, KZSC, KUSP, KYOU, KQED, KDVS, KKUP, WOBC, WTJU, Taproot Radio, Americana Roots, WWUH, KZSU, KRCB, WAER, KSCL, WBGU, KAOS, WTUL, Radio Marabu/Europe/No Pigeonholes.
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CDs availible:
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Blind Willies - Everybody's Looking for a Meal
Imagine the White Stripes driven by the fevered folk of Leadbelly and Woody
Guthrie, and you might get some idea of where the Blind Willies are coming
from. Duo Annie Staninec and Alexei Wajchman have brought a punky attitude
to bear on songs whose templates have long histories.
Alexei's voice drawls and snarls over agitated guitar, while Annie's fiddle
playing gives the music it's whirling, devilish heart. Like Meg and Jack before
them, they combine to create a sound bigger than the mere sum of their parts.
High points include the rich, sneering sarcasm of "Mom Says No," the bluesy,
Jagger-esque swagger of "Shark Out of Water," and the dark gypsy sorcery of
"Sinners Medley."
The line between the past and present is muddied in the melée: You can as
easily imagine "If You Was a Good Pimp" being penned in a dingy
prohibition-era juke joint as by Snoop Dogg. It's this sound, of traditional music
being seized by musicians with new, fiercely held ideas of their own, that
makes this album so invigorating.
Keith Laidlaw, KQED, 7/4/08
http://www.kqed.org/arts/visualarts/article.jsp?essid=22971
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Blind Willies - The Unkindness of Ravens
Blind Willies' debut, The Unkindness of Ravens, has been knocking around my CD player for quite a few months
now, quietly haunting random moments of my life during this tail end of winter and early spring. As the days grow
longer and the East Coast slowly emerges from icy temperatures, I've come to love this disc rather a lot - so much
so, that I find words are failing me. How can one truly relay the maddening beauty of the first crocus poking through
the dry, cracked Earth to someone who has never seen it happen? How can I possibly explain something like the
Blind Willies song, "Last Rites in December", in such a way that you'll understand how breathtaking it is?
Blind Willies are Annie Staninec (fiddle) and Alexei Wajchman (guitar, vocals), a duo that met while at San Francisco
School of the Arts. Staninec and Wajchman, both accomplished musicians, made their professional debut as Blind
Willies in 2004 at San Francisco's Hardly Strictly Bluegrass Festival. Since then, they've played a variety of venues
and recorded their first release - a collection of ten acoustic tunes featuring the fiddle, guitar, and a bit of harmonica.
There's nothing overtly unexpected on The Unkindness of Ravens, but Blind Willies play incredibly wonderful music.
Alexei is a remarkable songwriter whose lyrics go well beyond the average ramblings of most singer-songwriters.
Even "Mainline" - with its "hungry pawn store prisoners" - is well-crafted enough to run with the big boys and
Wajchman wrote the song at the tender age of 15. Annie's fiddle is the perfect accompaniment for Alexei and it's the
soft wails from her instrument that really give this album an overall feel of quiet desperation - like waking up in a cold
sweat with traces of a nightmare clouding your mind.
Tracks like the seven minute long "Something in the Night" are further proof of Alexei's knack as a wordsmith; here,
he sings "there's something in the night/even when you're blind/taking drugs to cancel time/that keeps your eyes
wide open and your heart clenched tight" and the scene almost materializes right in front of you. Still, it's the
opening track, "Last Rites in December" that gives me butterflies every time I hear it. This song just has that certain
something that makes it stunning and I find myself returning to it over and over again. "Last Rites in December" is
Blind Willies' perfect blend of instruments and voice(s). As Wajchman and Staninec sing "there's no warmth in this
city/there's no joy in this lover of mine/so I'm leaving with nothing/I think I'll make it this time" you can feel not only the
heartbreak, but the delicate new leaf of hope.
Although I'm sure my words are woefully inadequate, I cannot urge fans of all sorts of folk music enough that they
should not miss out on The Unkindness of Ravens. The opening track alone is sufficient to pay for this debut CD,
but there are nine other gems just waiting to be discovered.
Jennifer Patton, Editor,
http://www.adequacy.net/feature.php?featureID=3&featureContentID=256,
4/12/07
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